This installment delves into the intersections of gender and sexuality in The Drowning Girl. Further this installment analyses where gender and sexuality intersect with mental illness and haunting in The Drowning Girl.
This installment previews the concepts and ideas to be explored in this blog series, and critically addresses constructions of monolithic identities, especially problematic notion of a singular, normative, Irish identity.
This post looks at the ways in which the gothic genre is updated in contemporary fiction and film.
This blog will primarily be concerned with questions of nationality, colonialism, and horror in Irish literature and cinema.