In this episode I discuss queerness, political potential, and iterations of Joseph Sheridan La Fanu’s Carmilla.
Image Credit: U by Kotex © 2014
Show Notes:
- About
- Irish Horror Blog
- Vampires, Ghosts, and Faeries, Oh My
- Of Sharks and Serial Killers
- Creepy Children and the New Gothic
- Complex Personhood and Formal Experimentation
- Where Ireland, Decolonialism, and Weird Fiction Meet (Pt. 1)
- Where Ireland, Decolonialism, and Weird Fiction Meet (Pt. 2)
- Where Ireland, Decolonialism, and Weird Fiction Meet (Pt. 3)
- Where Ireland, Decolonialism, and Weird Fiction Meet (Pt. 4)
- Where Ireland, Decolonialism, and Weird Fiction Meet (Pt. 5)
- Complex Personhood and Formal Experimentation References
- Open Ivory Tower Podcast
- Why Monsters?
- Taxonomy
- TV Horror History, 1955-2015
- Horror TV History: Censorship, Anxiety, and the Cold War
- Neoliberalism Ate My Democracy, Or 1980s and 90s Cult TV
- Murder Will Out: Buffy the Vampire Slayer and Teenage Cynicism
- Is There Blood In My Hair?: True Blood, Supernatural, and Interpretations of Crisis
- Catching Up: TV Horror Meets Cinematic Horror
- The Surveillance State Just Won’t Quit: Control, Time, and Horror TV 2014-Present
- Author Bio
- Miscellaneous
