Complete list of references for the “Complex Personhood and Formal Experimentation: Where Ireland, Decolonialism, and Weird Fiction Meet” series.

Arvin, Maile Renee. “Pacifically Possessed: Scientific Production and Native Hawaiian Critique of the ‘Almost White’ Polynesian Race. UC San Diego: b7759918. Retrieved from:

Breatnach, Deasún. “The Púca: A Multi-Functional Irish Supernatural Entity.” Folklore 104.1-2 (1993).

Clover, Carol J. Men, Women, and Chainsaws: Gender in the Modern Horror Film. London: BFI, 1992. Print.

Creed, Barbara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge, 1993. Print.

Cullingford, Elizabeth Butler. “The Prisoner’s Wife and the Soldier’s Whore: Female Punishment in Irish History and Culture.” in Barton, Ruth, and Harvey O’Brien, Keeping it Real: Irish Film and Television. London: Wallflower Press, 2004.

Gillespie, Michael Patrick. The Myth of an Irish Cinema: Approaching Irish-Themed Films. Syracuse, NY: Syracuse UP, 2008.

Gordon, Avery. Ghostly Matters: Haunting and the Sociological Imagination. Minneapolis: U of Minnesota, 1997.

Kiernan, Caitlín R. The Drowning Girl: A Memoir. New York: Roc, 2012. Print.

Portrait of a Zombie. Dir. Bing Bailey. Perf. Patrick Murphy, Geraldine McAlinden, Rory Mullen. Organ Hill Films, 2012.

Ricœur, Paul, Charles E. Reagan, and David Stewart. “Existence and Hermeneutics.” In The Philosophy of Paul Ricœur: An Anthology of His Work. Boston: Beacon Press, 1978.

Subissati, Andrea. When There’s No More Room in Hell: The Sociology of the Living Dead. Saarbrücken, Germany: LAP Lambert Academic, 2010. Print.

Image Credit: The Providence Athenæum © 2016



Author: Geneveive Newman